Showing posts with label #VibalFoundation. Show all posts
Showing posts with label #VibalFoundation. Show all posts

Thursday, February 24, 2022

A Toast to Philippine Art

Philippine Art

Last February 4, 2022, the National Commission for Culture and the Arts (NCCA) virtually launched on their Facebook page this year's National Arts Month with the theme Sining ng Pag-asa. The theme highlights the significant role of the arts in expressing and spreading hope in the most difficult times such as the global pandemic we are facing today.

As we celebrate National Arts Month, let Vibal Foundation (VFI) salute some of the personalities of Philippine art. These individuals shaped and left a lasting legacy on Philippine arts and culture, as well as introducing art into a broader public view.

Damián Domingo

In Tondo, Damián Domingo was a master of painted vivid official portraits and religious tableaux even before Juan Luna or Felix Resurreccion Hidalgo were winning acclaim in the salons of Europe. Domingo earned his reputation among Spaniards and countrymen alike with his albums of colorful tipos del pais immortalizing the diverse costumes and lifestyles of the early nineteenth-century Philippines. Domingo was a self-taught artist who had his distinct Filipino style. He is also a pioneering art teacher and director of the first Philippine art academy.

In the book, The Life, Art, and Times of Damian Domingo by Luciano P.R. Santiago, Domingo and his milieu are brought to life. The artist’s surviving masterpieces are reproduced in lush detail, along with selected work from his contemporaries, descendants, and successors in the art world. With engaging prose and exhaustive research—including Domingo’s last will and testament and rediscovered self-portrait—Dr. Luciano P.R. Santiago sheds new light on a man who laid the foundations of Western art in the Philippines.

Toti Cerda

Toti Cerda has worked in various media, including pen and ink and acrylic; but it is his outstanding watercolor paintings, produced during his productive tenure as a house artist at Gallery Genesis for almost thirteen years, that led to him being hailed as a grandmaster aquarelle. Cerda has become known for his paintings of children whose playfulness and earnest naïveté allow viewers a respite from the turbulent times. Cerda’s work has been exhibited in different galleries in Metro Manila and been included in the collections of the GSIS Museum, Bangko Sentral, and IloMoCA. He identifies himself as a realist who creates compelling visual narratives with his brush and works whether in watercolor or acrylic at the time of writing.

The book Fifty Shades of Philippine Art: Toti Cerda, authored by Laya Boquiren, serves as a pleasurable guide to art lovers who are interested in widening their aesthetic horizon and sensibility. The book contains many of Cerda’s award-winning watercolors as well as his cover illustrations and sequential art for comics publications as well as his current work in acrylics. It covers his artistic and life journey from his humble beginnings and his entry into Gallery Genesis, which led him to forge a strong identity in the artworld, thus earning his place in the history of watercolor art in the Philippines.

Purita Kalaw-Ledesma

Purita Kalaw-Ledesma, founder of the Art Association of the Philippines, was a towering and extraordinary figure in the development of Philippine art for more than five decades and well into the postmodern era. In her manifold personas as patron, benefactor, community leader, educator, and cognoscente, Purita—as she was affectionately known—can be rightfully considered, along with Arturo Luz, Fernando Zóbel, and Roberto Chabet, as one of the true luminaries and tastemakers of her time.

In the book, The Life and Times of Purita Kalaw-Ledesma, written by Patrick D. Flores, Clarissa O. Chikiamco, and Eileen Legaspi-Ramirez; and masterfully edited by Purissima Benitez-Johannot, a more historical and critical look at the art that revolved around the pivotal figure of Purita is insightfully presented to the readers. This book documents Purita’s historical record from 1948 to 2000 and her single-minded faith in the empowering possibilities of art to transcend the quotidian.

Francisco V. Coching

Francisco V. Coching is known as an illustrator and a master storyteller. He left his legacy in visual arts with a career spanning forty years and over sixty komiks novels, including Hagibis, Barbaro, El Indio, Lapu- Lapu, Talipandas, Dimasalang, El Vibora, and many more. His work, encompassing historical epics, action adventure, gritty urban thrillers, romance, comedy, has led him to be described as the “Dean of Philippine Komiks Illustrators.” Almost all of his stories in komiks were adapted into successful films.

In the book, Fifty Shades of Philippine Art: Francisco V. Coching, written by Andrea Peterson, a concise yet thorough exploration of Coching's life and development as an artist is discussed. It is also illustrated with a rich selection of excerpts from his komiks novels, character sketches, magazine covers, illustrations, and more, to give us a concise yet substantial picture of his legendary career in komiks.

Isabelo Tampinco

Isabelo Tampinco stood out from among his peers in sculpture during a time when luminaries like José Rizal, Juan Luna, and Félix Resurreción Hidalgo were transforming the world of Philippine art. The excellence of his sculpted figures, carved santos, intricate woodwork, and architectural decorations won him acclaim among Filipinos and non-Filipinos alike.

His work adorned private homes, public edifices, and churches, and in time, his distinctive use of native plant motifs in his designs became a uniquely Filipino spin on European art nouveau, one that would come to be known by his name—estilo Tampinco.

In the book, Fifty Shades of Philippine Art: Isabelo Tampinco, written by Santiago Albano Pilar, Tampinco's life, background, and influences are explored to see how these help shape not only himself as an artist but also his legacy in art.

These Filipino artists serve as the window into the culture and lives of Filipino art. They give us a clearer understanding on how their contributions transformed Philippine arts. To learn more about these artists, please visit the Vibal Shop or go to Vibal's Shopee and Lazada pages.

Monday, July 19, 2021

Vibal Foundation’s Art Book Chronicles 123 years of Philippine Cinema

Vibal Foundation’s Art Book Chronicles
Vibal Foundation recently launched Philippine Cinema, 1897-2020—a lavishly illustrated art book that not only provides an in-depth retrospective of over a hundred years of Philippine cinema, but also simultaneously traces its history, genres, narratives, tropes, and lore while subjecting its rich filmography to critique and film theory. The book tracks Philippine cinematic beginnings as a technological marvel and its many turns up to the twenty-first century as it blindly accepted, appropriated, indigenized, and even attacked Western conventions through intentionally wicked but hilarious parodies.

Philippine Cinema, 1897-2020 is the latest addition to Arte Filipino, Vibal Foundation’s imprint on art books. Arte Filipino promotes Philippine artistic history and culture, and brings art into broader public view by pairing innovative scholarship with brilliantly reproduced visuals.

Written by Gaspar Vibal and Dennis Villegas and edited by film educator, curator, and archivist Teddy Co, Philippine Cinema, 1897-2020 boldly looks at the seamier side of the film industry with its unblinking examination of DVD plenitude and piracy, trafficking of low-brow exploitation flicks, dislocation of mainstream distribution brought on by the advent of streaming and Netflix, and the tragic loss of the cinematic archive and the consequent loss of national memory.

Philippine Cinema, 1897-2020

In Philippine Cinema, 1897-2020, a common thread runs through all its pages: a fevered cinephilia that equally valorizes the sublime and the ridiculous, from the socially realistic films set in the most miserable slums to the most inspired satires of spy capers and spaghetti westerns, and from the most profound critique to a weltering listmania of nostalgia and trivia. Its one hundred essays contain 1,200 notes and gossipy asides, plus over 1,315 images, which will equally delight any diehard movie buff or casual cinematic art lover.

The book is a retrospective survey of cinema from its birth in Spanish colonial Manila to the challenging era of the pandemic. Arranged chronologically in four periodizations, the book’s 100 essays on manifold aspects of cinema, such as its artistic language, conventions, narratives, textual sources, discourses on women, gender, modernity, and national identity as well as its inherent hybridity and undeniably transnational character are written primarily from an audience or fan perspective.

In seeking to elide the division that traditionally separated academic film discourse from the bakya (popular) or the commercial, the book posits a holistic approach to appreciating Philippine cinematic art. In acknowledging this populist bent, an attempt has been made nevertheless to balance this cinephile-driven art history with postmodern critique and film theory.

Philippine Cinema, 1897-2020 is part of the Arte Filipino series. The art books under the series aim to elevate Philippine artistic history and culture and bring art into broader public view. Other titles in the series include Fabian de la Rosa and His Times, The Life and Art of Botong Francisco, The Life and Art of David Medalla, The Life and Art of Francisco Coching, The Life and Art of Lee Aguinaldo, The Life and Times of Purita Kalaw-Ledesma, and The Life, Art, and Times of Damian Domingo; Fifty Shades of Philippine Art: Damián Domingo; Fifty Shades of Philippine Art: Francisco V. Coching; Fifty Shades of Philippine Art: Isabelo Tampinco; Fifty Shades of Philippine Art: Philippine Cinematic Art; Fifty Shades of Philippine Art: Toti Cerda; Fifty Shades of Philippine Art: Art of Window, Display, and Design; Fifty Shades of Philippine Art: Nono: The 19th-Century Masters of Angono; and Fifty Shades of Philippine Art: Lee Aguinaldo.

Interested readers may purchase Vibal books online at https://shop.vibalgroup.com/ and at Shopee https://shopee.ph/vibalgroup