Casa de Memoria’s Cuarto Auction Showcases Special Art Pieces as Christmas Gifts

As the Holidays draw near, Casa de Memoria will be holding Cuarto, its fourth major auction for the year, allowing you to explore unique art pieces that you can wrap up as gifts to spread some of the season's merriments among your loved ones.

To be held on November 28, 2020 (Saturday) at 2 o’clock in the afternoon, Cuarto will feature 180 specially curated European-Filipino antiquities and objets d’art that will not only spark some joy this Christmas, but can also add a touch of prestige and affluence to any home.

Among the must-see pieces are antiques that can be given to the special gentleman in your life, such as the silver cigar box formerly owned by prominent Spanish statesman Don José Antonio Girón de Velasco, the Napoleon III style radiogram with 1950s radio and "Philips" mono record player. On the other hand, ladies will surely appreciate the gilded and parcel-gilt lots that radiate opulence, including the polychromed dinner set, the ivory triptych depicting England’s “Glorious Revolution of 1688,” and the Vermeil Tea and Coffee Set by Joyerías Aldao.

For a touch of chinoiserie, Cuarto will feature European art pieces with Asian influences, such as the 18th century Burmese Alabaster Buddha Head in Shan Style and the thin solid 18 karat gold relief of Buddha circa 13th century Bayon period of the Khmer Empire. Fine art lovers can also look forward to delicate and glass and crystal pieces like the Émile Gallé clear art glass, with intricate, hand-painted ribbons, flowers and dragonflies in enamel, a mid-to-late 19th century Peking glass plate in a rare amethyst color, and reverse glass paintings of Saints Francis of Assisi and Sebastian.

Cuarto will also offer essential pieces and furniture that can spruce up any living space, like Milanese ebonized side chairs and various Bargueños from Spain with touch of Italian and Flemish styles, as well as paintings and lithography by revered Filipino and European artists, namely Fernando Zóbel de Ayala y Montojo, Romeo Tabuena, Pablo Picasso, and Salvador Dali, among many others.

Explore the auction pieces and register for the auction at www.casadememoria.com. For better appreciation, art aficionados may also attend the intimate auction preview from November 3 to November 27 from 10 o’clock in the morning to 4 o’clock in the afternoon at Palacio de Memoria at 95 Roxas Blvd., Tambo, Parañaque. Strict safety protocols are in place at the venue.
At the auction on November 28, registered members will have access to a console. If you won't be able to join, absentee bids can be placed before the auction. Interested parties may also opt for telephone bidding.

For more details, call (02) 8253-3994 or e-mail hello@casadememoria.com. For more information, visit https://www.casadememoria.com/ or follow @thecasadememoria on Facebook and @casadememoria on Instagram.

Breathtaking Art and Antiques, Exceptional Historical Memorabilia at the León Gallery Magnificent September Auction 2018

Several superb star lots once again cast their alluring glow at the upcoming León Gallery Magnificent September Auction 2018 on Saturday, 8 September at the Eurovilla I ground-floor salesrooms at Rufino corner Legazpi Streets, Legaspi Village, Makati, Metro Manila.

First on the list is what is described as “the last epic Botong”, none other than the magically romantic “Nose Flute.” The massive work, once owned by the Lovina-Palileo family and now in the possession of an extremely important Asian collector, measures a stupendous 4 feet by 6 feet and is one of Botong’s largest easel works. Painted in 1955, it was only ever seen once in public when it changed hands in 2012. “The Nose Flute” is widely considered the “Mount Olympus” of Carlos V. Francisco’s masterpieces not only because of its Olympian size but also because it was created at the pinnacle of his painterly powers. In fact, it took the better part of a decade to bring home this glorious work to the land of its birth. The sale, in fact, is in cooperation with One East Larasati Hong Kong.

A lyrical Amorsolo of a ‘Dalagang Bukid (The Country Lass)’ that once belonged to the artist Fernando Zóbel is a tribute to a happier by-gone era. Newly returned from study in Spain — thanks to Zóbel’s father, the industrialist Enrique Zobel de Ayala — Amorsolo’s sun-dappled creation from 1927 recalls an arcadia that became the artist’s most beloved signature.

In marked contrast is the mixed-media study by Manansala for his opus “Pila sa Bigas (Queuing for Rice).” Mang Enteng here chose to focus on the plain features and simple lives of the city housewives, hoping to find enough for the family’s meal in this highly evocative work. Another stupendous canvas is “Mga Sabungero”, from the collection of Ambassador J.V. Cruz.

Fernando Zóbel’s Saeta 52, painted in 1958 and exhibited at the legendary Philippine Art Gallery or PAG is another riveting work. Only ten such paintings of this size are known to exist, most of them being in museums and public collections. His eloquently-titled “The River Jucar and Rembrandt’s Wife Asleep” is a study in serenity.

Another modernist work, titled “Ascencion/Cross-Section” by Alfonso Ossorio — friend, confidante and patron of fellow Abstract Expressionist Jackson Pollock — is believed to be a tribute to his fallen friend, created in the period after Pollock’s sudden death while driving to Ossorio’s home in East Hampton.

Andres Bonifacio’s “Ten Commandments” for the secret society Katipunan is an exceedingly rare and important document. Written in his own hand, and said to be in own blood, the Decalogue or the “Duties of the Sons of the People” is the most famous Filipino historical document and is the cornerstone of the Philippine Revolution of 1896. Also intriguing are membership documents of the KKK indicating how well-organized and visionary Gat Andres was. Also in focus is a ceremonial medal worn by a member of the Katipunan’s Supreme Council. Consisting of two crossed bolos it is a real remembrance of our heroism as a people. Jorge Pineda’s boceto for the “First Battle of the Philippine Revolution” that took place in PInaglaban, San Juan gives vitality to the assembled memorabilia.

Jose Rizal and his wife Josephine Bracken are represented, each with rare and important letters that give insights to our country’s history.

There are also splendid antique furniture with outstanding provenances: A four-poster from the Ah-Tay workshops from the collection of eminent scholar Trinidad Pardo de Tavera; a pair of Louis Quinze armchairs, also from Ah-Tay; a mesa-altar from the Marily Orosa collection, and a Laguna comoda with secret compartments to conceal jewelry. Stunning is a towering kamagong wardrobe that once belonged to Manuel Quezon’s Secretary of Health, the millionaire José Fabella of Pagsanjan, Laguna. A gorgeous monstrance of outstanding workmanship from the collection of Richard and Sandra Lopez is another stellar piece, alongside a silver-embellished salakot and an 18th-century filigree box.

Powerful pieces from José Joya, BenCab, Cesar Legaspi, Arturo Luz, H.R. Ocampo, Nena Saguil, Lee Aguinaldo, Juvenal Sanso, Romeo Tabuena, Malang Santos, Pacita Abad, Romulo Olazo and Romulo Galicano, Manuel Ocampo, Ronald Ventura, Alfredo and Isabel Aquilizan, Rodel Tapaya, Emmanuel Garibay as well as the works of today’s young turks, Mark Justiniani, Jose John Santos III, Keb Serda, and Louie Cordero are also highlights of the forthcoming auction.

In addition, León Gallery is delighted to partner with the Museum of Contemporary Art and Design (MCAD) Manila which celebrates its 10th anniversary. Featured in the Magnificent September Auction are exceptional works in the “Funding the Future” section donated by Filipino and international artists, many of whom have been part of MCAD exhibitions and others who are supportive of its initiatives. All funds raised from their sale will support the launch of five new programs and continue MCAD's exhibition plans for the next three years.

León Gallery - The Magnificent September Auction 2018

Botong Francisco's Nose Flute

León Gallery is pleased to announce The Magnificent September Auction 2018 featuring important works of Philippine art, fine antiques and furniture on the 8th of September 2018, starting at 2PM at Eurovilla 1, Legaspi Street corner Rufino Street, Legazpi Village, Makati City. Check catalog here.

This auction is in partnership with the Museum of Contemporary Arts and Design (MCAD) of the De La Salle-College of Saint Benilde, as part of its Funding the Future project in order to raise funds for its academic endeavors in modernizing its programs in terms of research and artistic exchanges in the contemporary visual arts. Works donated by renowned contemporary artists shall be auctioned off, in part, to benefit the programs of the MCAD.

Headlining our sale of Philippine art is an important work by National Artist Carlos “Botong” V. Francisco. “The Nose Flute” (1955) depicting a courtship ritual of two lovers in the context of the Cordilleras. It is considered as one of the finest masterpieces made by the artist in his lifetime and was once owed by Lovina-Palileo family. This work is considered as one of the best and biggest masterpieces of the artist and was painted during his best period. Also, this was last seen by the public in 2012 when it changed ownership and has taken a decade to make its way back to the country.

A major highpoint of the upcoming auction is “Pila sa Bigas (Queuing for Rice)” a mixed-media work by Vicente Manansala. It features 17 ordinary folks all lined up and with tin cans waiting for their turn to buy or maybe even ask for rice. Another fantastic work by the artist is “Mga Sabungero (The Cockfighters)”, all from the collection of the late Ambassador J.V. Cruz.

Another highlight is “Saeta 52” (1958) by the foremost abstractionist Fernando Zóbel y Montojo. This painting has been repatriated back in the Philippines. It was first exhibited at the prominent Philippine Art Gallery (PAG) and is considered as one of the rarest large-scale canvasses of this series by Zóbel. This is considered an exceptional painting because there are only 10 known paingings of this size painted by the artist and most of these are in museums and public collections already.

“Cross-Section/Ascension” (1956-57) by the modernist Alfonso Ossorio is one of the most riveting symphonies of color that the expatriate Filipino-American artist has ever produced. It is believed that Ossorio painted this for his friend Jackson Pollock since it was done right after the death of the latter who was on his way to Ossorio’s house in the Hamptons when he had a tragic car accident.

Painted by Fernando Amorsolo, “Dalagang Bukid (The Country Lass)” (1927) is considered as one of the earliest known works centered on Amorsolo’s ideal muse in his idyllic rural pastures bathed in sunlight. The work has a stellar provenance and was previously owned by the painter Fernando Zóbel.

Other important works or art include a masterpiece by National Artist Jose Joya, “Carnival” (1964), rediscovered from the Mark and Naheed Houshmand Collection and two important works from the “Stations of the Cross” series by Ang Kiukok.

Commanding pieces from BenCab, Cesar Legaspi, Arturo Luz, H.R. Ocampo, Nena Saguil, Lee Aguinaldo, Juvenal Sanso, Romeo Tabuena, Malang Santos, Pacita Abad, Romulo Olazo and Romulo Galicano, Manuel Ocampo, Ronald Ventura, Alfredo and Isabel Aquilizan, Rodel Tapaya, Emmanuel Garibay as well as the works of today’s young guns, Mark Justiniani, Jose John Santos III, Keb Serda, and Louie Cordero are also highlights of the forthcoming auction.

Significant pieces of antique furniture are also featured in this auction, carrying distinguished pedigrees attached to them. Furniture designed and carved by the master Eduardo Ah-Tay and his Binondo workshop, known for their impeccable workmanship and meticulously detailed carvings of Filipino and Chinese motifs are highlights in this sale. A significant piece is a four-poster Ah-Tay bed commissioned by the Pardo de Tavera Family, one of the most affluent families in the 19th century. Also included is a pair of estilo Louis Quinze arm chairs done in the third quarter of the 19th century also done by Ah-Tay.

One of the gems of this auction is a kamagong cabinet crafted in the second quarter of the 19th century from the estate of Dr. José Fernandez Fabella, one of the pioneers of modern Philippine healthcare system and the Secretary of Health in Quezon’s cabinet. This cabinet was carved with fine inlays of carabao bone and actuated on its top with urn-like finials, which have been lined with silver and lanite. Important furniture featured from the collection of Dr. Alejandro Roces Legarda is also on offer. A secretary desk (better known as an escritorio) drawn from the Edwardian-style of the 20th century that has been created from narra.

Noteworthy in this sale are items of fine Philippine objet d’ art, starting with a gilded silver monstrance used in receiving in communion of the Catholic liturgy, made in the second quarter of the 18th century and a set of 19th century ornate silver crowns commissioned to adorn religious images; both have been sourced from the Richard and Sandra Lopez Collection.

Exceedingly rare and historically important documents such as the “Decalogue” or Ten Commandments of the Katipunan which was handwritten by Andres Bonifacio will also be included in the auction. A letter from Josephine Bracken to El Presidente Emilio Aguinaldo plus a letter from National Hero Dr. Jose Rizal to the Scottish millionaire based in the Philippines, Mr. Alejandro Macleod, whom he personally thanked for giving shelter to his sisters, Lucia and Trinidad.

Once a recruit was inducted into the society, their ranking shall be determined by the “Kataastaasang Sangguinian” (Supreme Council) as represented by a ceremonial medal featuring two crossed bolos. These important documents and artifacts were sourced from the collection of the eminent Philippine scholar Epifanio de los Santos, whose literature and scholarship helped in detailing the true narrative of the Philippine Revolution.

It is fitting that in anticipation of the release of an upcoming film “Goyo” featuring Gregorio del Pilar, military memorabilia from his own regiment will be on the auction block. Two epaulets and hand-drawn designs of the revolutionary uniform created by none other than Juan Luna will go under the hammer. These designs were commissioned by his brother, General Antonio Luna.

The preview of “The Magnificent September Auction 2018” shall run from September 1-7, 2018 at León Gallery located in Eurovilla I, Legaspi Street corner Rufino Street, Legazpi Village, Makati City.

Sculpture by Jose Rizal to be Auctioned

An oval bas-relief wood sculpture 39 inches long, 18 and a half inches wide and 2 and a half inches high, carved from a single piece of heavy wood, possibly narra, with a dark varnish or stain and made by Philippine National Hero Jose P. Rizal in Dapitan. This extremely rare and historically important artwork will be auctioned at the Leon Gallery on June 9, 2018.

It’s provenance stems from the family of Narcisa Rizal (1852 – 1939), the third sibling of the hero’s family. Narcisa and her daughter Angelica would be frequent visitors to Dapitan and, in fact, they would accompany him when he embarked to Manila at the end of his exile from that distant port.

By the end of the 19th century, “physical culture” or the need for exercise had become a European obsession, beginning first in Germany where it became not just an expression of the highest individual development but also as a symbol for nationalism. A nation was only as strong as its citizens’ health and as beautiful as their well-developed bodies.

Jose Rizal was an avid follower of all things Continental, his stay in Europe—in the shadow of the newly-built Eiffel Tower, for example, while in Paris—and its capitals made sure of that. He absorbed not only precepts of liberty, fraternity and equality but also their representations and methods employed to represent these.

Gaspar Vibal, publisher of rare Filipininanas “The Life, Times and Art of Damian Domingo” and “Flora Filipina”, theorizes that Rizal’s fascinating sculptures represents the national hero’s deliberate contradiction of the Filipino colonial archetypes.

Prior to this sculpture by Jose Rizal, Filipins had been represented as either indolent savages of prettified, emasculated townsfolk. Watercolors of these representations of half-naked tribesmen or ineffectual, over-dressed supernumeraries would circulate in Europe beginning in the latter half of the 19th century, culminating in the humiliating “Expocision General de las Yslas Filipinas de Madrid in 1887. It featured transplanted northern hillsmen dancing daily around carabaos in a backdrop of thatch huts. (Two or three of these Filipinos would, in fact perish, from pneumonia as a result.

It was the anti-thesis of everything Jose Rizal—or for that matter Juan Luna and Felix Resurreccion Hidalgo—stood for. A proud Filipino equal to anybody in the world.

In 1890, he would write the incendiary essay “Sobre la Indolencia de los Filipinos” (On the Indolence of the Filipinos)—laziness as a result of the hot Philippine climate being a favorite put-down of the Spanish. It breathed fire and brimstone, and along with his novels, would account for his exile in Dapitan in 1892 for four long years until his execution.

Therefore, sometime during his exile between 1892 and 1896, Jose Rizal would create this unique and first prototype of the Filipino: virile, muscular and engaged in a highly civilized, European display of strength. The bas relief (or basso-relieve or low-relief) depicts a young man, half-dressed in fashionable gym clothes of the time, knee length pantaloons with a drawstring at the waist; holding aloft a barbell in a typical exercise stance. The figure’s legs are long and well-proportioned with strong calves; his arm muscles as well are well-defined. His upper torso shows off a tight abdomen and a solid chest.

In fact, a case may be made that this could be a self-portrait of the hero himself, as truly, the ‘First Filipino’, not only gifted and mentally acute but also an outstanding physical specimen. Jose Rizal, in profile, bears a striking resemblance to the athlete in the sculpture.

Leon Gallery Announces the Spectacular Mid-Year Auction 2018

Leon Gallery set the date for its much-awaited, scintillating Spectacular Mid-Year Auction 2018 on Saturday, June 9, 2018 at its Eurovilla I showrooms on Legaspi Street, Legaspi Village.
Headlining the must-have masterpieces are an exquisite Lorenzo Guerrero of life along the Pasig River. Guerrero, who became most famous as the mentor of the brilliant and internationally-celebrated Juan Luna, was also a wonderful painter in his own right. He was educated by the foremost Spanish instructors at the Manila academia : Manuel de la Cortina, who was himself a graduate of the Madrid art academy and his successor Nicolas Valdez. Guerrero, in fact, was to become the teacher of Manila’s finest artists, from Simon de la Rosa Flores and his nephew Fabian de la Rosa, Felix Martinez and Felix Resurreccion Hidalgo, Telesforo Sucgang, Felix Pardo de Tavera, and Jorge Pineda to name a few stellar painters who passed through the portals of the legendary art school.

A 1917 work by one of Guerrero’s star pupils, Fabian de la Rosa, of a charming pair of ponies in a stableyard, provides an interesting behind-the-scenes look of a Manila home, at a time when horses were more common than automobiles.

Fernando Amorsolo — who happened to be Fabian de la Rosa’s nephew — is also in the spotlight with several riveting and early works : A post-war procession outside the ruins of the Antipolo church; works from the Thirties, Forties and Fifties, from an orange-streaked sunset scene by the water to glorious country scenes “Under the Mango Tree”  and by a waterfall. The works are all the collections of several distinguished Manila families. A rare urban scene of the massive Ynchausti Rope Factory is a unique view of Manila in the 1920s.

Scintillating Jose Joyas, one ante-dating his historic participation in the Venice Biennale (the Philippines’ first in that august art fair); others from his halcyon years in the 1970s.
Other mid-century moderns include Vicente Manansala with a superb work dated 1949 that speaks allegorical almost in a style more typical of Carlos “Botong” Francisco : a trio of women pound rice, in a variety of Filipino costumes, while men pile grain in tall mountains. In the background, a sunlit landscape which suggests the Benguet rice terraces and in the foreground, a large carabao. Another work, datelined Paris, portrays a grieving mother at a child’s bier.
Arturo Luz, Ang Kiukok, and Romeo Tabuena are likewise represented, as are Juvenal Sanso, Oscar Zalameda, Lao Lianben, Malang, and Federico Aguilar Alcuaz.

An finely-proportioned ‘comoda’ with original marquetry in a floral design, an imposing Sheraton sideboard, and a ‘Mariposa’ butterfly sofa are just some of the impressive furniture to be included in the June sale.

Among the collectible memorabilia, the country’s most iconic heroes are represented. There is a bread-and-butter note (dated 1891) from the Philippine National Hero Jose Rizal to the Scottish millionaire Don Alejandro S. Macleod who had thrived in Manila.
Letters from various historical personalities to Teodora Alonso are also available in a single lot, including a Rizal family recipe, and more piquantly, the court documents of the suit brought against Rizal’s mother and her brother. Her unjust persecution greatly influenced Rizal’s nationalism.

Most explosive is the narration of Gregoria de Jesus of the last days of Andres Bonifacio as well as a dagger bearing the markings of the Katipunan. This document, while having been featured in works on the Philippine Revolution has never been revealed in full previously and is certainly one of a kind. A rare autographed photograph of the Lakambini of the KKK (dedicated to the journalist Jose P. Santos) and a letter to Emilio Jacinto complete the historical offerings that will fascinate the collector and every patriot.

Apropos, a BenCab of Rizal’s last days in Fort Santiago — and featuring excerpts of his “Ultimo Adios” is also a highlight, alongside an appealing work from his “Larawan” series, inspired by turn-of-the-century Philippine photographs.

From the contemporary artists, exciting works by Ronald Ventura, Marcel Antonio, Jon Jaylo, Danilo Dalena, Emmanuel Garibay, Edwin Wilwayco, Manuel Ocampo (with a grim Christmas work) and Jose John Santos III are also featured. The Santos work echoes the themes in the rest of the auction of women of the Philippine Revolution : The painting juxtaposes ladies in traditional Filipino wear with Cretan friezes, a view of a bahay na bato through an archway, and a fragment of an antique door.